Podcast

This gem from the archives was thought lost forever, but thanks to the wonders of technology we’ve been able to recover our chat with the great Boz Scaggs. It was recorded around the time of Boz’s last album, Out of the Blues, and highlights his contemporary approach to music making, as well as the creative process behind timeless classics like ‘Lowdown’ and ‘Hollywood’. The singer-songwriter and guitarist also speaks about gaining vocal confidence, collaborating with David Paich, David Foster and Marcus Miller, and finding your passion when it’s gone.

Composer and songwriter Michael Penn talks with Sodajerker about his “former career” in songwriting, meeting Bob Dylan as a kid, and why he doesn’t co-write with his partner, the equally brilliant Aimee Mann. The acclaimed film/TV composer also reflects on his relationship with performing, his approach to melody writing, and his love for The Chamberlin keyboard.

The brilliant Tim Heidecker chats with Simon and Brian about his gorgeous record High School, his love for Randy Newman, and recreating the yacht rock sound. The comedian, writer, actor and musician also explains why he wrote a hymn for agnostics, and wonders why we keep burying people in the ground when they die.

To mark the release of a new deluxe reissue of his eponymous debut, Seal joins Simon and Brian for a conversation about his songwriting process. The singer-songwriter discusses classic hits like ‘Killer’, ‘Crazy’ and ‘Kiss From A Rose’ and explains why the alchemy of songwriting still has him passionate about making music.

Matty and George from The 1975 talk with Sodajerker about the band’s stellar new album Being Funny In A Foreign Language, working with Jack Antonoff, and being addicted to making stuff. The guys explain their songwriting and creativity in a variety of ways, touching on everything from postmodernism to comedy in what feels like a very good therapy session.

Death Cab for Cutie’s Ben Gibbard gives Sodajerker the lowdown on the band’s superb new album Asphalt Meadows, the process of round robin songwriting, and why he’s always falling in love with dead movie stars. The songwriter and guitarist also talks about writing with his trusty Fender Mustang, how certain guitars can deal a hot hand creatively, and the importance of lived experience in his work.

Suede’s Brett Anderson joins Simon and Brian for a candid conversation about the writing of the band’s new record Autofiction, accessing naivety, avoiding self-parody, and the value of craft. The frontman and author also reflects on the importance of fans, and why a songwriter’s musical limitations don’t need to be a barrier to success.

The phenomenal Madison Cunningham speaks with Sodajerker about her new record Revealer, sincerity versus technicality in music making, and why songs are sometimes smarter than you. The singer-songwriter also discusses her distinctive approach to the guitar and the influence of church music in her development.

Julian Lennon joins Simon and Brian for a chat about his new record Jude, the importance of emotion in songwriting, dealing with anxiety, and relearning his old material. The multi-faceted singer-songwriter also discusses his work as a photographer, filmmaker and author, and reflects on how his creativity is powered by his relentless work ethic.

Singer-songwriter Martha Wainwright discusses her recent memoir Stories I Might Regret Telling You, how she approaches writing both songs and prose, and being done with old narratives. The critically lauded artist also shares her thoughts on using open tunings, why she found acting wasn’t compatible with songwriting, and her plans for the future.

Canadian treasure Steven Page sits down with Simon and Brian to discuss his songwriting process, his work with Barenaked Ladies, and songs from his forthcoming solo album. The beloved singer-songwriter shares his thoughts on the joy of choir singing, the place of humour in songwriting, and what he’s learned from long-time collaborators like Stephen ‘Tin Tin’ Duffy.

The charismatic Bruce Hornsby joins us to talk about the writing of his superb new album ‘Flicted and the art of living a life of creativity. In this in-depth conversation, the singer-songwriter and pianist describes how he gets inspired by reading literary fiction, his work on music for Spike Lee joints, what he means when he describes his sound as ‘Bill Evans meets the hymnbook’, and why ‘The Way It Is’ was one of the most unlikely hits ever.